| THE PROLOGUE |
Zoe Norton Lodge
Director |
27 October 2007 |
Today I revelled in our genius casting. We have a cabaret night for the
company this Thursday, and we thought that performing the prologue to our
play in some form might be a nice little thingy. Cait and I are using
narration a lot in this play and we have a habit of writing in a sort of
stream of consciousness style, which (speaking only for myself and of my own
efforts) seems to swing a pendulum between poetry and crap. So at the moment
the piece is littered twinkly with long free form narrational passages.
Including the prologue. At the moment we are toying with different ways
to hall them kicking and screaming on to the stage. So yesterday I met with
some of the singer/musician types from the ensemble and in an hour and a
half the piece was transformed from a big soupy incorrectly spelled
malapropism to a pretty darn interesting and dynamic piece for 5 voices and
guitar.
I'm not sure what will happen in the end (Cait and I both truly have
shocking commitment problems), but it was really nice to have our first
relatively polished thingy. Special thanks to one particular cast member who
displayed unparalled gulag type work ethic and contributed
beautifully having had tonsils and adenoids removed about 7 days ago.
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